mechanical music

Mechanical music, works for player piano (and sometimes human performers)

I began working with the Yamaha Disklavier in 2005, and since then I have been active as a composer and as a performer of music written for this instrument.

Canons for player piano

My first composition for the Disklavier is called ‘Déploration sur la mort de G. L.’ (2006), an 88-part canon, originally written with Pure Data. In 2017 I began to compose new canons using Supercollider.

Déploration sur la mort de G. L., original version (2006)
Canon I, Déploration sur la mort de G. L., Supercollider version (2017), dedicated to György Ligeti and Derek Holzer
Canon II, Inversion (2017), dedicated to Karlheinz Essl
Canon III, Décélération (2017), dedicated to Jean-Claude Risset
Canon IV, Double (2017), dedicated to Niilo Tarnanen

Performing with player pianos

As a performer, my first contact with the Disklavier happened in 2005, while assisting Jean-Claude Risset and pianist Elisa Järvi for the performance of Risset’s ‘Duets for One Pianist’. Since then I have been regularly working with the Disklavier, as a performer or assisting other composers or performers.

Improvisation sur Écho, with the Yamaha Disklavier and the Max/MSP patch by Jean Claude Risset used in his composition called 'Echo' (used with his permission)

Curating mechanical music

Since 2012 I have been the curator of a concert series of Disklavier music called ‘Mechanical and Live Music’, hosted at the MuTeFest, the annual festival of the Centre for Music & Technology, Sibelius Academy of the University of the Arts Helsinki.

Mechanical and Live Music III (2014), Sibelius Academy